February 28, 2002
Shakespearian Slam Dancing Thankz to KMFDM
Whether it?s the thrashing of the heavy-metal guitars or the weak disposition of a few tender words, a tenor asshole constrict an audience with an invoking message of passion. The modern sidereal day song, Truth, by KMFDM, contains comparable likeness to Shakespeares, Sonnet 30. The two songs, although write in different periods of time and in variable fashions, realise similar topics concerning memories of the past, the briefness of mortality, and the human recollections that allow earthly trouble to be laid to rest.
The resurfacing of nostalgic events in the artists lives is one of the primary(prenominal) subjects within the under layers of the text. Both openly reveal sessions of fresh silent thought (1) that KMFDM expresses in terms as what you hide out and conceal (1). The artists overly experience their histories that were put in the sibylline recesses of the mind. Every urge (5) and old woes new (4) are representative symbols for their dark, unbearable memories. These losses are restored (14) and suppress themselves when Night shall arrest (22) as the climax of sorrows end (14). The result of the flashbacks led KMFDM and Shakespeare to occupy a purposeful message about reality.
The succulence of the conformation is an irreplaceable intoxication.
An inherent value of living life to its fullest is a gratification that KMFDM and Shakespeare agree upon. Life, no matter how seemingly hopeless, can yield fruits and divine delights beyond godly intervention. Precious friends (6) and catch what youre being given (12) are examples of the pervading message within the texts. Although absorbing in ecstasy, time on earth can also reflect the wastefulness of being idle. Shakespeare complains of the dear time?s waste (4), as he reflects upon his worries. KMFDM, coincidentally, remarks that the violent sin of...
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