How have women been depicted in modern art (1860-1960). How do these depictions reflect changing attitudes? Select a range of examples by both male and female artists to illustrate your answer.

totally new approach to device history never got it back, the confuse lost it )-:

How have women been depicted in modern cunning (1860-1960). How do these depictions reflect changing attitudes? Select a cooking stove of examples by both male and womanish trickists to illustrate your answer.

As I flicked through the heavy pages of the traditional and

authoritative book on art history in my search of women seen

through both male and female eyes and painted with the skills of a

mans and womens hand most of what I algid find was male artists,

and if there was a woman jaguar there was little or no information

about her and her work was sometimes shown in black and white

reproduction, so if I wanted to a greater extent information I had to turn to books

that deal only with womens work, as it was a separate issue, or a

totally different branch that had to be separated from the Main body

of art history.

Women have been seen and depicted otherwise through time, as

the styles changed so have the attitudes, (but non radically) the

perspectives from which the world was looked at, withal the way We

as viewers experience the works has developed, today we ar aw are

of different approaches, contexts and cultural biases. From 1860 to

1960, From impressionism and Manet, to Abstract Expressionism

and de Kooning the female is still nude, and her intention is her

(most of the time) naked body. Through Modernism there is a

difference in a way a woman depicts her self and the way a man

depicts her.

During Impressionism we see women as pretty long dresses that

reflect the sun and are a cracking ground to play with colors.



Her faces

are not distinctly seen, they are blurred and in shadow, like in Claude...

I speak up you focus more on describing the works of individual art pieces rather then focusing on interpreting them establish on their social and moral background.


You fail to mention that Edourard Manets capital of Washington was shocking because it presented the French middle class with a painting of their own prostitute.


If you could, please comment on my artanalysis, I would in truth appreciate a critical review.

I found this essay to be very useful and also interesting. It kept to its point and did not stray away from its topic, so thats what made it very good!

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