The Blind Field is an essay by Margaret Iverson which attempts to explain feelings of nostalgia versus feelings of the uncanny, Freud explained this as distorted repressed memories. These two feelings are virtually opposite. The creator goes on to match these feelings with paintings by Hopper. These images were customarilly percieved as being nostalgic, nevertheless she tries to pin feelings of the uncanny to these images. Her defintion of uncanny is a repressed shop that violently breaches the tranqulity of the present. She states that any image can be tie in to an ominous and distorted memory, hence allowing it to surface.
The first example is rest home by the Railroad by Hopper. It was commonly described as a nostolgic look back to simpler times. In opposition to this view, Iverson states that in our rootless society, an image much(prenominal) as this is a throttle for repressed memory. She explains that she has never seen such a dark signal in such bright light. The house is viewed from a posture of a passerby and it presents a passing image that is parrallel to fleeting memeories of the mind. Iverson relates to this piece not as a pleasant memory, but as an forboding presence akin to the personality of the house in the movie Psycho.
Hopper also used voids of space in many a(prenominal) of his paintings.
Iverson equates this to the idea of Thanatos, which is our death drive. This element is thought to induce feelings of fulfillment through destruction and morbidity. In recording this theory, we are enabled to understand the reason why Hoppers art instills feelings of sinister or mistrust. The blackness also represents the fear of the unknown and the uncertainty of impending future, such as the piece titled Auto- mat . The subject stares blankly into her cup.
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