By February 1933, Brechts work was eclipsed by the rise of national socialist rule in Germany. (Brecht would also have his work challenged once more in later life by the U.S. House disloyal Activities Committee (HUAC), which believed he was under the influence of communism.
Nazi Germany and demesne war II (19331945)
Fearing persecution, Brecht left Germany in February 1933, when Hitler took power. He went to Denmark, only when when war seemed imminent in April 1939, he moved to Stockholm, Sweden, where he remained for a year.[1] Then Hitler invaded Norway and Denmark, and Brecht was forced to leave Sweden for Finland where he waited for his indorse for the United States until 3 May 1941.[1]
During the war years, Brecht became a prominent writer of the Exilliteratur.[60][60] He expressed his opposition to the National socialist and Fascist movements in his most famous plays: Life of Galileo, have Courage and Her Children, The Good Person of Szechwan, The Resistible Rise of Arturo Ui, The whiteness Chalk Circle, Fear and Misery of the Third Reich, and many others.
Brecht also wrote the screenplay for the Fritz Lang-directed film Hangmen Also Die!
which was loosely based on the 1942 assassination of Reinhard Heydrich, the Nazi Reich Protector of German-occupied Prague, number-two man in the SS, and a chief architect of the Holocaust, who was known as The Hangman of Prague.[1] It was Brechts only hand for a Hollywood film: the money he take in from the project enabled him to write The Visions of Simone Machard, Schweik in the Second World War and an adaptation of Websters The Duchess of Malfi. Hanns Eisler was nominated for an Academy Award for his musical score. The collaboration of three prominent refugees from Nazi Germany Lang, Brecht and Eisler is an example of the influence this multiplication of German exiles had in American culture.
http://en.wikipedia.org/wiki/Bertolt_Brecht#Nazi_Germany_and_World_War_II_.281933.E2.80.931945.29If you want to hit a full essay, order it on our website: Ordercustompaper.com
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