'Analyse How Moliere Uses Comedy as a Dramatic Technique in Le Tartuffe\r'

'Set in the seventeenth century, Moliere’s Drama, Le Tartuffe is a satirical illustration of religious hypocrisy. Its harlequinade drives the short-change in a direction where the interview can not only when be entertained but understand the morality which atomic number 18 portrayed. It is important to realise the historical scope that influenced Moliere’s work of Le Tartuffe in drift to understand the construction of the natures and comedy portrayed.\r\nCommedia dell’arte were a group of traveling players in Italy who specialised in improvised theatre, creating stock characters for every performance for the auditory modality to identify with and understand their representation in a ridiculous way. Some of these features grant been known to have inspired Moliere’s construction of the plot and characters such as Clever talking Dorine shedding blowzy on the truth. In that way, Dorine almost acts as a comedic dramatic tool to highlight the trut hs and themes of the play.\r\nThis is particularly discern fitted in her dialogue towards Madame Pernelle, ‘Il passe displace un saint dans votre fantaisie:/Tout son fait, croyez-moi, n’est rein qu’hypocrisie’(Moliere: 1. 1. 69) In supporting this idea, rotating shaft Hampshire Nurse writes that Dorine has ‘ lustrous wit with which she ridicules hypocrisy’ (1991:85). Although the majority of modern audience’s would find the witty servant humorous, Paula Alekson far-famed that ‘Moliere became a master of â€Å"Le ridicule”, so much so that in the process of devising the audiences laugh, he made a multitude of wicked enemies’(2007:ll 15-16).\r\nAway from the controversy that the themes created, Moliere generates much more of the comedy in terms of language, structure and pace of the play. For example in the exposition, when Madame Pernelle talks to the rest of the characters, we are capable to see the desire of power towards the daughters as they try to speak by saying, ‘Mais…. Je crois…mais ma mere’ (Moliere:1. 1)but are cut off every time. Furthermore, repetition is utilise when Orgon says, ‘Et Tartuffe? / Le pauvre home! (Moliere:1. 4) This conveys Orgons constant obsessive reputation over Tartuffe which provokes laughter.\r\nOf course when being performed the proxemics and movement of the character along with the dialogue would emphasise the comedy and do it farce that Moliere had stylized the play with. Overall, we are able to conclude that Moliere uses a variety of different techniques, and themes to possess the comedy work for the play. We realise that it is not ripe a form of entertainment but to attending the audience in following the events in the play; to understand the central themes. Andrew Calder noted that Moliere does this in both his plays, Le Tartuffe (1664) and Don Jaun (1665).\r\nCalder states that they go ‘beyond the merry s tage, and both reflect a lively avocation in some of the most topical, moral and theological issues of the time. ’ (1973:153). [Wordcount:457] Bibliography Moliere, 2006. Le Tartuffe. Paris: Larousse. Alekson, Paula. 2007. Dramatic and Theatrical elan a la Moliere: Le ridicule, le naturel, and â€Å"The comic war”. [online] Available at: http://www. mccarter. org/Education/tartuffe/hypertext markup language/4. html Calder, Andrew. 1973. Moliere: The Theory and Practice of Comedy. London:Athlone Nurse, Peter Hampshire,1991. Moliere and The Comic Spirit. Geneve:Libraire Droz\r\n'