Underland and The Architecture of Loss Essay Example | Topics and Well Written Essays - 750 words

Underland and The Architecture of Loss - Essay Example Of course I never missed out on being awed with their signature movements which is demonstrated through rapid and unpredictable pelvic and torso movements in a ripple effect which shifts from vertical to horizontal repetitiously. This for me achieved the use of the multiply space movement that allows the audience to see the bigger picture of the whole story of the dance through bigger movements which sometimes makes it hard for the audience to catch up with or absorb. The almost hour long show definitely was exhilarating and refreshing as aside from the frenzied mood conveyed in the dance through the techno-body of its dancers, Stepehen Petronio combines it with class and style. The story that I was able to filter from the whole performance would probably be the confusion created in a world that is filled with ambiguity. I say this because of the seductive movements accompanied with hallucinatory music which is in turn shifted to a more aggressive movements supported by morbid music. Also, he was able to instill among its audience the feeling of fear demonstrated in the dance through the jarring choreography. Indeed, though Stephen Petronio’s â€Å"Underland† does not tell a specific story with a chronological plot, he is able to capture confusion, sexuality, and violence in a tasteful and strong manner. This was greatly backed up by the illustrative dance moves and roles he set each dancer in the stage to portray. Some of which really imprinted all throughout would be the "implicit expressions of war and loss. Indeed, the show was really such a pleasure to watch and is definitely physically and mentally satisfying. The â€Å"Architecture of Loss† by Stephen Petronio on the other hand was more of a contemporary piece compared to the former. This choreography, like the former does not really tell a very clear and chronological story however, every movement is in itself an impression that the author conveys to the audience. What is very